Problem Question Aviator Essay Example | Topics and Well Written Essays - 1750 words

Problem Question Aviator - Essay Example (An Airprox is a situation in which, in the opinion of a pilot or a controller, the distance between aircraft as well as their relative positions and speed have been such that the safety of the aircraft involved was or may have been compromised.( UK Airprox Board available at http://www.airproxboard.org.uk/). The private pilot Jack should first of all be advised about the above disastrous effects that could have been caused by his actions of omission and commission which can be classed as those ranging from negligence, and breach of duty to downright vandalism. The potential liabilities due to various infringements have been examined and are as listed below:- i) The following provisions specified in Part A of Schedule 14 to Article 148 , contravention of anyone of which can, as per Article 148(5), carry a summary conviction to a fine not exceeding Level 4 on the standard scale. ii) The following provisions specified in Part B of Schedule 14 to Article 148 , contravention of anyone of which can, as per Article 148(6), carry a summary conviction to a fine not exceeding the statutory maximum and on conviction on indictment to a fine or imprisonment for a term not exceeding two years or both. iii) The following provision specified in Part C of Schedule 14 to Article 148 , contravention of of which can, as per Article 148(7), carry a summary conviction to a fine not exceeding the statutory maximum and on conviction on indictment to a fine or imprisonment for a term not exceeding five years or both. i) Jack is liable for disciplinary action, including revoking/suspension of his personnel license from the CAA for prima facie infringement of the following condition specified in paragraph 1.175 of JAR–FCL 1. â€Å"Circumstances in which an IR(A) is required (a) The holder of a

Anthropological Feminism in The Piano :: Feminism Feminist Women Criticism

Anthropological Feminism in The Piano  Ã‚   There is a moment in The Piano when the crazed husband takes an axe and chops off his wife's finger. We do not see the awful blow, but both times I watched the film the audience gasped and a few women hurried from the theater. It is a disturbing but crucial scene, the culmination of a sado-masochistic screenplay which has been condemned by some as harmful to women and welcomed by others as an important feminist work. Critics have been more nearly unanimous in their praise for The Piano, and for writer and director Jane Campion. A New Zealander, Campion made two previous low budget films with relatively unknown actors which attracted little notice and small audiences. But their quirky originality established her reputation among film cognoscenti. The Piano, by contrast, is both an astonishing artistic achievement and a major motion picture. Featuring Holly Hunter and Harvey Keitel, it has made Campion an overnight celebrity. She is being hailed as a "natural" and "original" film maker , and no doubt she is. Campion was also trained as a social anthropologist, however, and that training -- particularly the work of Levi-Strauss -- has had a profound impact on her directorial imagination. More than just a spectacular period piece or a feminist tract, The Piano is an anthropological excursion into the 19th century. And for Campion herself, it marks a shift from ethnography to fable-making. Campion as Ethnographer Campion's first esoteric film, Sweetie, was more "clinical" case history than screenplay. If it fails as a movie, it can be recommended as an instructional film for family therapists. Sweetie, the beloved daughter who turned out badly, is a greedy, impulse-ridden woman who constantly discomforts her family. Fat, if not morbidly obese, she is an unattractive personality in an unappealing body -- repulsive to conventional movie audiences. Fellini, fascinated by the grotesque, often gave such ugliness cameo roles in his films. But it is difficult to imagine any commercial film maker, even Fellini, choosing someone so utterly lacking in glamour, so completely unphotogenic, as heroine. There can be no doubt, however, that this was Campion's conscious aesthetic choice, for we see traces of the same kind of "ugly" choices in her two subsequent films. Campion is interested in Sweetie for all of the anthropological reasons that would repel an "escapist" movie audience and makes no effort to p rettify her. Anthropological Feminism in The Piano :: Feminism Feminist Women Criticism Anthropological Feminism in The Piano  Ã‚   There is a moment in The Piano when the crazed husband takes an axe and chops off his wife's finger. We do not see the awful blow, but both times I watched the film the audience gasped and a few women hurried from the theater. It is a disturbing but crucial scene, the culmination of a sado-masochistic screenplay which has been condemned by some as harmful to women and welcomed by others as an important feminist work. Critics have been more nearly unanimous in their praise for The Piano, and for writer and director Jane Campion. A New Zealander, Campion made two previous low budget films with relatively unknown actors which attracted little notice and small audiences. But their quirky originality established her reputation among film cognoscenti. The Piano, by contrast, is both an astonishing artistic achievement and a major motion picture. Featuring Holly Hunter and Harvey Keitel, it has made Campion an overnight celebrity. She is being hailed as a "natural" and "original" film maker , and no doubt she is. Campion was also trained as a social anthropologist, however, and that training -- particularly the work of Levi-Strauss -- has had a profound impact on her directorial imagination. More than just a spectacular period piece or a feminist tract, The Piano is an anthropological excursion into the 19th century. And for Campion herself, it marks a shift from ethnography to fable-making. Campion as Ethnographer Campion's first esoteric film, Sweetie, was more "clinical" case history than screenplay. If it fails as a movie, it can be recommended as an instructional film for family therapists. Sweetie, the beloved daughter who turned out badly, is a greedy, impulse-ridden woman who constantly discomforts her family. Fat, if not morbidly obese, she is an unattractive personality in an unappealing body -- repulsive to conventional movie audiences. Fellini, fascinated by the grotesque, often gave such ugliness cameo roles in his films. But it is difficult to imagine any commercial film maker, even Fellini, choosing someone so utterly lacking in glamour, so completely unphotogenic, as heroine. There can be no doubt, however, that this was Campion's conscious aesthetic choice, for we see traces of the same kind of "ugly" choices in her two subsequent films. Campion is interested in Sweetie for all of the anthropological reasons that would repel an "escapist" movie audience and makes no effort to p rettify her.

Estrangement: Political Philosophy and Good Life Essay

Chapter two of Glenn Tinder’s, â€Å"Political Thinking: The Perennial Questions† on estrangement and unity asks us whether we as humans are estranged in essence. This question really sets the tone for the rest of the book, because if humans are estranged then we would not be living together in societies, therefore not needing political science to answer such questions that deal with societies. As Tinder describes it, † politics is the art of reconcilliation, and that the need for this art always arises from some kind of estrangement†(23). Tinder’s point does not answer the question of whether or not we are truly estranged in essence, that would be to easy! It merely suggests that with humans living in societies estrangement arises, not that we are estranged in essence. By deffinition estrangement signifies alienation: a separation from hostility. And it is derrived from the latin word extraneare: to treat as a stranger. So do humans by nature treat others as strangers, are they alienated from one another at there core? Tinder attempts to show us two such philosophers who would show us the two sides of this argument so that we may gain clarity and decide the essence of humans with the knowledge of great thinkers as our foundation. Those two great thinkers are Aristotle who believes that humans are not estranged, and Thomas Hobbes who subscribes to the idea that humans are estranged in essence. So with these two thinkers as the backbone of this debate we can get to the bottom of the question at hand. The seminal philosopher in the argument that humans are not estranged is Aristotle. In Politea, Aristotle states that: .. by nature man is a political animal. Hence man have a desire for life together, even when they have no need to seek each other’s help. Nevertheless, common interest too is a factor in bringing them together, in so far as it contributes to the good life of each. The good life is indeed their chief end, both communally and individually; but they form and continue to maintain a political association for the sake of life itself. Perhaps we may say that there is an element of good even in mere living, provided that life is not excessively beset with troubles. Certainly most men, in their desire to keep alive, are prepared to face a great deal of suffering, as if finding in life itself a certain well-being and a natural sweetness. (Aristotle, Politics Book II) If man indeed is a political animal, and our commmon interest does bring us together in the hopes of having â€Å"the good life† or eudeamonia then it seems somewhat impossible be estranged in essence. For, by the deffinition aforementioned of being estranged man would not and certainly could not live together, and certainly not for institutions to keep those bonds strong. Afterall who in their right mind would enjoy or choose living in a state of hostility. Aristotle would almost certainly dissapprove of this version of nature. Living in a state of hostility for him would be almost a tyrannical form of life with fear as the tyrant itself. Since Aristotle ultimately approves of a Monarchy aiming at the common interest he admits that humans do suffer from feelings of estrangement but that a single outstanding man (or small group) can, through reason, render useless feelings of estrangement in a society by way of distributive justice. Meanwhile, Thomas Hobbes asserting his viewpoint of pre-political man as a war, â€Å"of every man against every man† (Leviathan) he has little faith that man is not estranged. Hobbes alleges that the life of a man in his pre-political condition is, â€Å"solitary, poor, nasty, brutish, and short†(Leviathan) which certainly indicates a level of hostility that would prevent, even condemn, man to be able to live together in a society. In Hobbes’ world evrery man would be in constant fear of other men taking from them their freedom to do whatever they please and their liberty to live. Hobbes basically implies that man in the state of nature is in such a horrible condition that we actually seek peace through coming together under a social contract. Hobbes suggests that to get out of the state of nature that men must build a leviathan (government) that can sustain a social contract. Since Hobbes has such little faith in us to rule ourselves democratically, he suggests that an absolute elected monarchy would best suit us. This is an interesting choice because, he implys that we need a single man who can rule absolutely to battle forms of estrangement. In other words if we were left to our own devices with out the control of an absolute monarch we would kill ourselves. Fear has a lot to do with estrangement because people who are estranged live in fear of hostility from strangers. Hobbes is quoted as saying † fear and I were born twins†. Since fear is spawned from estrangement it is easy to see how Hobbes would not trust human nature in any sense of the word.

Racial Prejudice and Bias Against Hispanics Essay - 759 Words

Racial Prejudice and Bias Against Hispanics At some point in life, every individual has been treated like an outsider. It occurs often with children or teenagers. However, one can still be regarded with this attitude as an adult. Furthermore, an entire group can feel as if they are being treated as an outsider, and sadly enough, it does happen regularly. One author, David Hernandez, spoke about these occurrences through his poem â€Å"Pigeons.† With his poem, Hernandez argues that Hispanics are never treated or viewed as insiders, but always as outsiders. Sadly enough, I would have to agree with Hernandez’s argument, for in his poem he concludes that Hispanics are viewed as â€Å"weird† because of their culture, are deprived by†¦show more content†¦Another argument that Hernandez brings up in his poem is that pigeons, or Hispanics, are deprived by society. The author explains the deprivation by bluntly saying, â€Å"[n]obody wants to give pigeons a job[;] / [p]arakeets, canaries, and parrots / have the market sewn up as far as that goes† (Hernandez 1023). This is a very true statement. Even though Hispanics can be seen working at jobs, these jobs are frequently minimum wage for pay in which they cannot advance to higher positions. It is rare to see a Hispanic person working in an office in which blacks and whites are the dominant customers or employees. Also, this act of depriving is done within the school system. Often times a child with a Hispanic background is not given the opportunity to rise to his or her level of learning. They are often â€Å"kept back† and placed in lower level classes. As the author of â€Å"Pigeons† so clearly argues, Hispanics are not given as many opportunities to succeed by American society. Hernandez makes another clear argument statement with his poem â€Å"Pigeons.† He makes the point that his ethnic group is not accepted by many Americans. He asks a simple but strong question within his poem: â€Å"When was the last time you saw a pigeon in someone’s home?† (Hernandez 1023). Hispanics are not usually welcomed in the homes of whites or blacks for the main factShow MoreRelatedShould Racial Slurs Be Banned From Society?847 Words   |  4 PagesShould Racial Slurs be Banned from Society? Racial slurs have grown within American history as our society has developed into one of the greatest superpowers of the world. As a nation, America has fought several internal and external wars to advance into a free country and attain the rights it now holds. These rights, or moral principles, were established to protect the residents inhabiting each state. 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